Updated June, 2026

Tree Trunk 1, 1971 60"x84" Photo Emulsion, Acrylic on Canvas

Kunié Sugiura ; Ubiquitous Conjunction
galerie frank elbaz France Paris

Oct 19 - Dec 26
Opening reception Oct 19 _

Upcoming Program
Walk through with Ryo Sawayama Oct 23 -


Shifting Landscapes
Nov 1 2024 –Jan 2026
Whitney Museum of American Art
https://whitney.org/exhibitions/shifting-landscapes

Shifting Landscapes explores how evolving political, ecological, and social issues motivate artists’ representations of the world around them. While the art historical genre of landscape has long been associated with picturesque vistas and documentary accounts of place, the artworks gathered in this exhibition suggest a more expansive interpretation. The 120 works by more than eighty artists—including Firelei Báez, Jean-Michel Basquiat, Jane Dickson, Gordon Matta-Clark, Amalia Mesa-Bains, and Purvis Young—depict the effects of industrialization on the environment, grapple with the impact of geopolitical borders, and give shape to imagined spaces as a way of destabilizing the concept of a “natural” world. Drawn from the Whitney’s collection, this exhibition features works from the 1960s to the present, most of which are on view at the Museum for the first time. The exhibition is organized in thematic sections that reflect the many meanings embedded in the idea of landscape. Together, these works bring concepts of land and place into focus, foregrounding how we shape and are shaped by the spaces around us. 

Yellow Mum, 1969; San Francisco Museum of Modern Art, purchase, by exchange, through gifts of Peggy Guggenheim and Mr. and Mrs. Louis Honig; © Kunié Sugiura;
photo: Tenari Tuatagaloa

Kunié Sugiura: Photopainting
Apr 26 – Sep 14th 2025
SFMoMA
Press

SAN FRANCISCO, CA (December 3, 2024) – For more than 60 years, Kunié Sugiura has explored the intersections between photography and painting with an aesthetic sensibility that reflects her bicultural identity as a Japanese artist who has lived in the U.S. since the 1960s. Creating work with and without a camera—and in and out of the darkroom—Sugiura has combined photography with painting and other mediums to produce unique, hybrid works that defy easy categorization. The San Francisco Museum of Modern Art (SFMOMA) presents Kunié Sugiura: Photopainting, the artist’s first survey exhibition in the U.S., on view from April 26 to September 14, 2025.

Kunié Sugiura “Boundaries and Coexistence”
Jul 19 – Aug 23, 2025
Location: Taka Ishii Gallery Roppongi & Kyobashi
https://www.takaishiigallery.com/en/archives/40671/

Opening reception: Saturday, Jul 19, 17:00 – 19:00
Location: Taka Ishii Gallery Roppongi

Clematis B 2000 40 x 30 inches Toned gelatin silver print

Kunié Sugiura: Discoveries
Sep 18 – Dec 21st 2025 
Johnson Musuem of Art

This exhibition focuses on the relentless experimentation and scientific exploration, driven by artistic impulse, of Kunié Sugiura’s sixty-year engagement with photography. Born in Nagoya, Japan, in 1942, and one of the first students at the School of the Art Institute of Chicago to specialize in photography in the 1960s, Sugiura has worked for most of her life in the New York City studio where she has also lived since 1974. There, she has been creating experimental series that seem to pay little mind to the traditional trappings of and discourses around photography, and that stand apart from the trends that have variously defined the medium over the decades. Her oeuvre includes sculptural assemblages that combine photography and painting, large-scale photographic canvases, and a range of photograms of botanical, human, and animal subjects.

Even as she firmly established her career and life in the United States, Sugiura maintained close ties with Japan, and these deep connections to heritage reveal themselves in her works in both subtle and overt ways. Attuned to aspects of the natural world, from the fleeting beauty of flowers to the playful and humorous behavior of people and animals, to the patterns of geologic formations, her conceptual innovations in the deployment of photographic techniques led to discoveries and expressions of place, time, and self.

Anonymous Was A Woman Grant Program Announces 2025 Awards

Kunié Sugiura on being named a 2025 recipient of the Anonymous Was a Woman Grant.

Anonymous Was A Woman is an unrestricted grant of $50,000 awarded each year to 15 woman-identifying artists over the age of 40 and at a critical junction in their career. The name of the grant program refers to a line in Virginia Woolf’s "A Room of One’s Own." The award was begun in 1996 in response to the decision of the National Endowment of the Arts to cease support of individual artists. To date, Anonymous was a Woman has awarded over $8 million to more than 400 artists.

Two of the 2025 awards were made possible by Fotene Demoulas, a Boston-based philanthropist who is a collector and patron of women artists, and who values AWAW’s work. Another anonymous donor also contributed funds toward an additional award. #awaw2025 #anonymouswasawomanaward

Above are images of the 2025 Recipients of the Award. More information here.

Image: Compounds A Positive, 1997. Toned Gelatin silver print, 39 3/8 x 28 15/16 inches

ARTFORUM NOVEMBER 2025 Vol.64, No.3

https://www.artforum.com/features/kunie-sugiura-portfolio-1234737004/

The Grass Has So Little to Do
a group exhibition curated by Deborah Goodman Davis

James Barron Art Connecticut.
July 11–September 12, 2026

Opening Reception
July 11, 4–6 PM

まなざしの奇跡 -日本女性写真家の冒険-
https://www.bunkamura.co.jp/museum/exhibition/26_kiseki.html
ヒカリエホール (渋谷ヒカリエ9F)Japan Tookyo

Jul 4 - Aug 26, 2026

Japanese Women Photographers: From 1950s to Now
The Photographers' Gallery UK London
Jun 24 - Sep 27, 2026

Group Exhibition “1978”
Tokyo Gallery + BTAP, Tokyo JAPAN

https://www.tokyo-gallery.com/en/exhibitions/7553.html

July 11 - Aug 22 2026
Opening reception July 11 4pm -

This group exhibition features works from the collection of ZEIT-FOTO SALON, Japan’s first commercial gallery dedicated exclusively to photography, founded by the late Etsuro Ishihara. Titled “1978” in homage to the year the gallery was established, the exhibition pays tribute to Ishihara, who devoted himself tirelessly to spreading the concept of “photography as art” in Japan, as well as discovering new Japanese artists.

Participating Artists
Nobuyoshi Araki, Miyako Ishiuchi, Kazuo Kitai, Masao Gozu, Toshio Shibata, Kunie Sugiura, Issei Suda, Tomio Seike, Akira Tanno, Hiromi Tsuchida, Shoko Hashimoto, Naoya Hatakeyama, Fuyuki Hattori, Takanobu Hayashi, Taiji Matsue, Daido Moriyama, Kanendo Watanabe, Hitomi Watanabe

About ZEIT-FOTO SALON
ZEIT-FOTO SALON opened in Nihonbashi, Tokyo, in 1978 as Japan’s first commercial gallery dedicated to photography as fine art. Founder Etsuro Ishihara interacted with Western artists such as Henri Cartier-Bresson and Brassaï, purchasing original prints directly from them. He also introduced leading Japanese photographers such as Nobuyoshi Araki and Daido Moriyama to a global audience.